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ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz & (Ää Éé Øø) {@©®} [!?“”«»*] ←
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz & (Ää Éé Øø) {@©®} [!?“”«»*] ←
Rekja Regular Italic
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz & (Ää Éé Øø) {@©®} [!?“”«»*] ←
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz & (Ää Éé Øø) {@©®} [!?“”«»*] ←
Rekja Bold Italic
Designer:

Anton Studer

 
Release:

2010–11

 
Version:

1.0

 
Awards:

Joseph Binder Award ’14, Bronze
Typographica’s Favorite Typefaces ’13, honourable mention
 TDC New York ’12, Certificate of Excellence

Specimen:

Detailed character sets, language support, opentype features and additional informations can be found here.

Commonly, the shapes of the hand-drawn Italic are way more dynamic and harmonic than the upright version. So why not to start with the design of the Italic weight first and thereby define the leading characteristics of the upright? So did Anton Studer with the design of Rekja.
Rekja is a transitional typeface with a round and dynamic character which has strong edges and corners. Rekja is a literal typeface and is perfectly suited for bodytext application. Furthermore, the typeface is highly legible at small sizes. The typeface’s aim is to underpin legibility and uniquely serve the visualization of human language. Rekja means ‘tracking’ in Icelandic.